adsertoris: you-need-satan: Jan Švankmajer, Dimensions of Dialogue, 1982 CLICK TO WATCH Jan Švankmajer (born 4 September 1934) is a Czech filmmaker and artist whose work spans several media. He is a self-labeled surrealist known for his surreal animations and features, which have greatly influenced other artists such as Terry Gilliam, the Brothers Quay, and many others. Švankmajer has gained a reputation over several decades for his distinctive use of stop-motion technique, and his ability to make surreal, nightmarish, and yet somehow funny pictures. He continues to make films in Prague. Švankmajer’s trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses fast-motion sequences when people walk or interact. His movies often involve inanimate objects being brought to life through stop-motion. Many of his films also include clay objects in stop-motion, otherwise known as clay animation. Food is a favourite subject and medium. Stop-motion features in most of his work, though recently his feature films have included much more live action sequences than animation. Many of his movies, like the short film Down to the Cellar, are made from a child’s perspective, while at the same time often having a truly disturbing and even aggressive nature. In 1972 the communist authorities banned him from making films, and many of his later films were suppressed. He was almost unknown in the West until the early 1980s. His films have been called “as emotionally haunting as Kafka’s stories. Today Švankmajer is one of the most celebrated animators in the world. Among his best known works are the feature films Alice (1988), Faust (1994), Conspirators of Pleasure (1996), Little Otik (2000) and Lunacy (2005), a surreal comic horror based on two works of Edgar Allan Poe and the life of Marquis de Sade. The two stories by Poe, “The System of Doctor Tarr and Professor Fether” and “The Premature Burial”, provide Lunacy its thematic focus, whereas the life of Marquis de Sade provides the film’s blasphemy. Also famous (and much imitated) is the short Dimensions of Dialogue (1982), selected by Terry Gilliam as one of the ten best animated films of all time. Dimensions of Dialogue (Czech: Možnosti dialogu) is a 1982 Czechoslovak animated short film directed by Jan Švankmajer. It is 14 minute long and created with stop motion. The animation is divided into three sections. “Exhaustive discussion” shows Arcimboldo-like heads gradually reducing each other to bland copies;[1] “Passionate discourse” shows a clay man and woman who dissolve into one another sexually, then quarrel and reduce themselves to a frenzied, boiling pulp; and “Factual conversation” consists of two elderly clay heads who extrude various objects on their tongues (toothbrush and toothpaste; shoe and shoelaces, etc.) and intertwine them in various combinations.

adsertoris:

you-need-satan:

Jan Švankmajer, Dimensions of Dialogue, 1982

CLICK TO WATCH

Jan Švankmajer (born 4 September 1934) is a Czech filmmaker and artist whose work spans several media. He is a self-labeled surrealist known for his surreal animations and features, which have greatly influenced other artists such as Terry Gilliam, the Brothers Quay, and many others.

Švankmajer has gained a reputation over several decades for his distinctive use of stop-motion technique, and his ability to make surreal, nightmarish, and yet somehow funny pictures. He continues to make films in Prague.

Švankmajer’s trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses fast-motion sequences when people walk or interact. His movies often involve inanimate objects being brought to life through stop-motion. Many of his films also include clay objects in stop-motion, otherwise known as clay animation. Food is a favourite subject and medium.

Stop-motion features in most of his work, though recently his feature films have included much more live action sequences than animation.

Many of his movies, like the short film Down to the Cellar, are made from a child’s perspective, while at the same time often having a truly disturbing and even aggressive nature. In 1972 the communist authorities banned him from making films, and many of his later films were suppressed. He was almost unknown in the West until the early 1980s. His films have been called “as emotionally haunting as Kafka’s stories.

Today Švankmajer is one of the most celebrated animators in the world. Among his best known works are the feature films Alice (1988), Faust (1994), Conspirators of Pleasure (1996), Little Otik (2000) and Lunacy (2005), a surreal comic horror based on two works of Edgar Allan Poe and the life of Marquis de Sade. The two stories by Poe, “The System of Doctor Tarr and Professor Fether” and “The Premature Burial”, provide Lunacy its thematic focus, whereas the life of Marquis de Sade provides the film’s blasphemy. Also famous (and much imitated) is the short Dimensions of Dialogue (1982), selected by Terry Gilliam as one of the ten best animated films of all time.

Dimensions of Dialogue (Czech: Možnosti dialogu) is a 1982 Czechoslovak animated short film directed by Jan Švankmajer. It is 14 minute long and created with stop motion.

The animation is divided into three sections. “Exhaustive discussion” shows Arcimboldo-like heads gradually reducing each other to bland copies;[1] “Passionate discourse” shows a clay man and woman who dissolve into one another sexually, then quarrel and reduce themselves to a frenzied, boiling pulp; and “Factual conversation” consists of two elderly clay heads who extrude various objects on their tongues (toothbrush and toothpaste; shoe and shoelaces, etc.) and intertwine them in various combinations.

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    Jan Švankmajer “Let your skin begin to blend itself with mine.”
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    Jan Švankmajer “Let your skin begin to blend itself with mine.”
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